IX.5.22 Pompeii. July 2017. Looking south
towards doorway on east side of Vicolo di Tesmo.
Foto Annette Haug, ERC Grant 681269 DÉCOR
IX.5.22 Pompeii. July 2017.
Detail from lower wall on east side of Vicolo di Tesmo, on north
side of entrance doorway of IX.5.22. with terracotta downpipe.
Foto Annette Haug, ERC Grant 681269 DÉCOR
IX.5.22 Pompeii. May 2005. Entrance doorway.
IX.5.22 Pompeii. May 2017. Looking towards north wall at entrance
doorway.
Foto Christian Beck, ERC Grant 681269 DÉCOR.
IX.5.22 Pompeii. May 2017. Looking towards south wall at entrance
doorway.
Foto Christian Beck, ERC Grant 681269 DÉCOR.
IX.5.22 Pompeii. March 2017. Looking
east from entrance doorway, across corridor ‘w’
towards south side of peristyle ‘p’.
Foto Christian Beck, ERC Grant 681269 DÉCOR.
IX.5.22 Pompeii. May 2005. Looking east from entrance doorway.
IX.5.22 Pompeii. May 2005. Looking south-east through doorway towards high arched entrance to kitchen.
This can also be seen in IX.5.2, pt.4, room ‘s’.
IX.5.22 Pompeii. February 2020. Looking east from entrance towards lararium in kitchen.
This can also be
seen in IX.5.2, pt.3, room ‘w’. Photo courtesy of Aude Durand.
IX.5.22 Pompeii. May 2005. Looking east from entrance towards lararium in kitchen.
This can also be seen in IX.5.2, pt.3, room ‘w’.
IX.5.2/22 Pompeii. 1931. Lararium at the door to the kitchen and adjacent to entrance IX.5.22.
DAIR 31.1777. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.
IX.5.22 Pompeii. Lararium at the door to the kitchen and adjacent to entrance IX.5.22.
May 1886. Photograph courtesy of Society of Antiquaries, Fox Collection.
This can also be seen in IX.5.2, pt.3, room ‘w’.
IX.5.22 Pompeii. Detail of lararium at the door to the kitchen and adjacent to entrance IX.5.22.
IX.5.22 Pompeii. May 2005. Remains of painting on wall of lararium in kitchen. This can also be seen in IX.5.2, pt.3, room ‘w’.
IX.5.22 Pompeii. February 2020.
Looking
east from entrance doorway with detail of altar. This can also be seen
in IX.5.2, pt.3, room ‘w’. Photo
courtesy of Aude Durand.